Alıcı Saz Evi - Talatpaşa Blv 136/C

An arrogant, rude, inhumane business

Well, I follow him fondly, he said good luck to the master, and he said hello to the master, and he swears. No one will be sorry, the man will not take you to the wedding. they are born and grow old they tasted in yaşlandıkça b will separate you you letting continuous tuning're taking a kind of baby you're putting in continuous sheath do not hang on the wall etc then come thatched such as tree-grinding they love or even turkey in front of these baths like reeds that masters none with whom he has zero linking bought stem tossed friends in linking the same man He threw the handle, cry, cry, I love a place that I love wholeheartedly.

Hello, I bought a buyer-made instrument 2 weeks ago. I broke my saz as a result of an unfortunate accident. I contacted by phone to see if I could get it repaired. I asked if I could call the video to buy a carved mulberry reed if it did not repair. And the answer I received was busy calling. Not currently, but I didn't get an answer saying you can call 2 hours later or tomorrow. The phone hung up before I finished my word. I currently bought another chestnut-carved instrument. I can't find the flavor of my old reed. I wish I hadn't heard the word "I'm busy calling." Best regards. I couldn't reply to the comment. I'm sorry, but when I talk to your brother on the phone, I will give you a number tomorrow afternoon, my brother will be at work, call this video number, show the reeds we have, I don't understand the image, let us help you, he said. Otherwise, how can I call the number I do not recognize? On Saturday, June 13, after 2 o'clock, I asked if I could call normally and call video. Anyway, God will bring your power to your work.

WARNING!! Two of my two carved mulberry reeds, which I bought lovingly and paying lots of money, threw the stem in a short time and the curtains became extremely scratchy. Although I reported this problem to the saz house many times, they said that they could not do it, that they were busy and they would not be able to deal with it, and told me to do the throttle problem, which is their own saz's chronic problem, by themselves and do it elsewhere. After the saz is sold, they do not accept any responsibility and they do not stand behind the saz. Even the students we do not like are standing behind them when they take their saz to the place where you bought them, but most music houses are behind them, but we do not stand behind the reeds we bought by paying billions. I sold the instruments I had, I don't think I would prefer it anymore.

I would like to thank master Uğur and master kemal. Their reeds are really at the top of this business. Keyboard comfort, enormous leveling, great tone, loud and prolonging sounds etc .. I have been following for a long time and it has been a chance to buy a saz, it is not a place where you can find poor quality cheap baglama. Also prof. The prices for a quality carved baglama are not expensive compared to the market. My guess is that too many people tire their brothers in unnecessary conversation. Should the men deal with raising the orders they receive, deal with the maintenance of the baguettes they sell, or should they deal with your questions such as whether to carve leaves or etc.? Let's show some respect to our craftsmen like this

I have had about 10 baglamas together with the ones I have sold so far, but one of the 3-4 that satisfied me the most was the 1/4 split mulberry divan baglama that I had them make. Moreover, playing it gets better as time goes on. Both the workmanship is high and they use dry materials. Boats are already carved using traditional methods. The most important issue to be considered in making baglama for them is definitely not to rush Uğur and Kemal masters. The saz comes out maybe 2-3 months later, but it is officially inedible. There is neither a glue smell nor a separate problem. Then the stem throwing problem will naturally be minimized. But no, if you say you can't wait that long, don't mess with them. Oh, and they don't make student baglama, that should be known.

I bought saz from here 3 years ago. It has always had a breakdown in 3 years. It was leveled 2 times, after that it broke down again. I did not enjoy using it. It didn't sound healthy on the cover. Eventually I disassembled the boat and had it built from scratch elsewhere. When I bought the reed prices were reasonable. It's price performance. But now I will not give 6-7 thousand. In short, there is no need to exaggerate the buyer's saz house. Let's not criticize the instrument work, the luck work a little too much.